Tulou impressions
Begin with what students notice, remember, and feel.
Education experience · Cultural heritage · Visual system
方圆屋檐下 · Fujian Tulou STEAM field-study course
A field-based learning experience that turns Fujian Tulou from heritage architecture into something students can observe, test, build, and reinterpret.
My contribution
I independently conceived and designed the curriculum, teaching approach, visual identity, handbook, and toolkit, then facilitated the field session. Teachers and classmates supported on-site coordination and delivery.

01 · Designing for place
Conventional heritage lessons often explain a building before students have a reason to care. This course starts with lived details, then turns noticing into questions, experiments, and personal interpretation.
Begin with what students notice, remember, and feel.
Turn observation into questions about place and community.
Test material, structure, and construction through making.
Translate learning into a personal model of communal life.
02 · The learning system
The curriculum combines observation, structural reasoning, hands-on prototyping, and reflection. Each activity contributes evidence that students use in the next one.

Prompts invite students to identify spatial and structural clues before receiving historical context.
Material tests turn wall thickness, compression, and community construction into something students can hold.
The final model asks students to reinterpret shared life rather than reproduce a historic form.
03 · In the field
Students observed the architecture, tested rammed-earth construction, and translated the shared courtyard into their own models. The place supplied scale, texture, and social context that a classroom could not.


04 · What students made
The final models were not meant to reproduce one “correct” Tulou. Differences in roof, color, interior objects, and courtyard use reveal what each student noticed and valued.




Student work photographed and isolated from the classroom background. No student names are shown.
05 · Student voice
The handwritten reflections were lightly formatted for the school, but the observations are the students’ own. Names are omitted here.

“The class was fun and not tiring. I learned how a Tulou is built.”
“Seeing my finished model gave me a real sense of accomplishment.”
“I experienced the wisdom of ancient builders and learned more about Tulou.”
Anonymous excerpts, translated and cropped for privacy.
06 · The complete system
The poster, handbook, toolkit, and exhibition materials use one visual language so the course could be introduced, delivered, and shared as a coherent experience.




Designed by me
Curriculum · Teaching toolkit · Visual identity · Course handbook · Field facilitation · Exhibition material
07 · Reflection
Field delivery exposed where the plan needed to flex. The strongest learning came from adapting the sequence to students’ local knowledge, energy, and confidence.
Students were local residents with knowledge that a generic field guide could not anticipate.
Initial shyness made small-group prompts and peer demonstration essential.
The roof-decoration step became more meaningful after simplifying repeated tasks.
Project outcome
A complete field-learning experience connecting cultural heritage, making, and student reflection.
Authorship
Independent concept, curriculum, visual system, toolkit, and facilitation—with on-site support from teachers and classmates.